It has been inspired by Amarushataka, the 9th century Sanskrit anthology on love. For one it highlighted the fact that tradition is something that needs to be updated all the time if it has to fit the bill of tradition that is like a flowing river. I make it a point to attend as many dance recitals as possible also for the same reason.Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by in his Sanskrit treatise onperforming arts — Natya Shastra.Indian classical painting, sculpture and literature too depicts the Ashta-Nayika Notable medieval paintings that depict the Ashta nayika are the Ragamala paintings, as those from the Bundi school of painting. For I feel that it is one of the major inspirational mainstay of the creation of any art — form notwithstanding. Specially in the case of amorous love being depicted, it has to be tight rope walking of the highest order.Dr Alka Raghuvanshi is an art writer, curator and artist and can be contacted on alkaraghuvanshi@yahoo.The performance depicts the delight and frustrations, the sensuous charms and mad intoxication, the anguish of union-separation of the complex gamut of the sense of belonging and not belonging, found in the human obsession called love. Complicated description?

Sure, wish the production was a little more complex than mere oodles of amour. It was reminiscent of the amorous monochrome paintings from Odisha often done in circular forms and a charming style used to attach a circular palm leaf flap on them to hide the sensual paintings but embellished with more socially acceptable images on top.So it was with a great amount of anticipation that I went to see a performance by Ramli Ibrahim, the Malaysian dancer whose fondness for Odissi is unquestioned. In one section when the Vipralabdha Nayika or one deceived by her beloved, when the nayak is trying to make her come around, it seems as if molesting her.com. The Ashta Nayikas are usually portrayed in eight panels on the Rumal. Ashta-Nayika is a central theme in Pahari embroidery used to decorate the Chamba Rumal, from Himachal Pradesh.I have more than a passing interest in classical dance. The eight nayikas represent eight different states (avastha) in relationship to her hero or nayak. Performed under the aegis of the Sutra Foundation, the production Amorous Delight is described as “A case of possession by love” based on “contemporary” Odissi.However, the dance itself triggered off a whole gamut of thoughts. Or else it will become mummified and stink like putrid water.Performed with the backdrop of a glass dropper bottle series of charming line drawings, the almost naïve sketches were beautiful with their attention to finer nuances like the palm leaf drawings so popular in Odisha.

The reason is not far to seek: I feel that not only must the arts be visually modern or contemporary, but also reflect the contemporary sensibility or the yug dharma of the times we live it.A famous example in Indian literature is Jayadeva’s Gita Govinda (12th century) as well as in the Vaishnava poet Banamali’s compositions, Radha dons the roles of the various nayikas while with her nayak is God Krishna. In these times of great consciousness about gender sensitisation and ***ual liberation and harassment, I feel Indian classical dance/music and painting is poised on the verge of major rethink. Dancers, painters and sculptors have all dipped into this creative fountain to create anew and I still sincerely wish Ramli Ibrahim had been a little more sensitive to the contemporary mood of the times rather than go by just blindly making metic changes of tumes and mudras. As archetypal states of the romantic heroine, it has been used as theme in Indian painting, literature, sculpture as well as Indian classical dance

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Breastfeeding promotes the proper development of baby’s jaw and tongue: The act of breastfeeding requires a very sophisticated coordination of muscles and movement for the baby's jaw and tongue, which is much different as compared to when the baby is fed through a bottle. This can delay their menstrual periods.Breastfeeding promotes mother-baby bonding: While snuggled close to the breast, your baby can quickly recognise your heartbeat.Mothers who breastfeed tend to lose weight and achieve their pre-pregnancy figure more easily than mothers who bottle feed: Your body stores up fat during your pregnancy to provide the extra calories needed for milk production. Oxytocin, the ‘love hormone’ that helps nurture emotional bonding is higher in breastfeeding moms. This invokes a feeling of calmness and protection in the baby. Most women who breastfeed experience hormonal changes during lactation

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She further adds, “It is the right time for any hidden talents to come out and showcase himself. It has been observed that, in an attempt to achieve success, artists often tend to deviate from the core roots of creation. Hence, the artists had to first send their works on email.” The criteria for selecting paintings for the exhibition, she says, was that the works had to align with the theme of Parvaaz. The other thing is that artists can now promote themselves. Artists have that luxury to use what they want. غير مجاز مي باشدmetic airless bottle “Nowadays, everything is available in the market. Harjit Dhillon, Suraj Shukla, Priyadarshi Gautam and Shikha Amandeep Singh, were some of the individuals whose artworks were presented there. The artists were an eclectic group, varying from 5 to 85 years in age.According to Erum, there are many mediums for an artist to succeed in today’s times.

It is evident throughout the exhibition,” she says.Don't we all love art, in how it helps us express our feelings? The canvas helps the artist find their wings, and fly to unimaginable heights. Previously it was not possible because they did not have the right medium,” she says. In the context of the exhibition, it is a tribute to the thoughts and feelings that an artist not only has but also uses to soar so high that their works become timeless and boundless. It is due to this that there is a distance in all our relations.”.“The main objective was to bring the best works from all cities to our city — Delhi. She says, “I believe it is true that art has been commercialised too much. She further explains, “Bringing artists from all across the country under one roof and selecting their works was quite a challenge.

We have ended up forgetting our cultural identity.Erum Khan, the curator, reveals that coming up with the exhibition was not an easy task as the challenges of hosting one were numerous. Apart from the uغير مجاز مي باشدe of acrylic and oil paints, many artists have used various organic raw materials from their home states.Art, in recent times, has deviated more towards the commercial side of things.” But despite all obstacles, she points out, there are people who are not just interested but completely immersed in Indian art. The exhibitions also showcased crafts borne by hand.Parvaaz in Urdu signifies ‘rising’ or ‘flight’. The exhibition displayed close to 150 artworks that ranged from acrylic paintings and oil on canvas to simple sketches. And, to achieve that, whatever help or support was required, I provided.‘Parvaaz’, an exhibition organised recently at the All India Fine Arts & Crafts Society in the capital, is a testament to this fact